Authors starting with 1 from Donald Heald Rare Books

Rome: 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Good condition. Three repaired tears to the left blank margin. Sight size: 31 1/8 x 18 1/4 inches. 30 1/4 x 17 1/8 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part o... more information

Rome: 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin, expert repair to upper left corner just affecting image area, small repairs to right blank margin. 42 7/16 x 16 7/8 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with contemporary colouring of the highest quality from the golden a... more information

Rome: 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 1/4 inches. 42 1/8 x 16 3/8 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano... more information

Rome: 1772. Copper engraving by Ottaviani after drawings by Ludovico Teseo, printed in black with stunning later professional hand-colouring. Very good condition. 42 1/4 x 16 inches. 46 3/8 x 20 1/8 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with later professional hand-colouring. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work and executed by Raphael and his assistants... more information

Rome: 1774. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Good condition. Shaved within plate mark, expert neat repairs to left margin, one just affecting the image area. 25 1/2 x 23 1/4 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the second part of a work title... more information

Rome: 1772-1777. Copper engraving by Volpato after a drawing by Camporesi, later professional hand-colouring. Good condition. Expert strengthening to verso of right outer blank margin, some old light creasing to 3 inches of the sheet. 25 x 16 3/8 inches. 26 3/4 x 19 1/8 inches. This beautiful perspective view of Raphael's Loggia, served as the frontispiece to the celebrated text, "Loggie di Rafaele nel Vaticano". This arresting print is a general perspective view of Raphael's design for... more information

Rome: 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 inches. 42 1/4 x 16 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" d... more information

Rome: 1772. Copper engraving by Ottaviani after drawing by Savorelli and Camporesi, printed in black with stunning later professional hand-colouring. Good condition. Trimmed close to and within platemark, some small expert repairs to blank margins. 42 1/4 x 16 1/2 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with later professional hand-colouring. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depict... more information

[Paris: Published by M. Delafosse, 1779]. Hand-coloured engraving. Tipped onto larger sheet of fine laid paper. Very good condtion. 11 1/2 x 17 3/4 inches. 13 3/4 x 21 1/8 inches. A beautifully coloured print picturing one of the many picturesque garden follies in the Parc Monceau, from Carmontelle's "Jardin de Monceau," a collection of plates depicting the innovative features and design of this famous Parisian park. Designed by Carmontelle for the Duc de Chartres (the future Duc d'Orl&e... more information

circa 1780. Hand-coloured engraving, printed on wove paper. Very good condition apart from some overall light soiling and a few small losses and skillfully repaired tears along the edge of the top margin. A few small surface abrasions along the exterior of the platemark. Trimmed virtually to the platemark on the right side. 13 3/4 x 22 7/8 inches. 16 1/4 x 24 7/8 inches. A beautifully coloured print of the newly constructed Fort Belvedere in Windsor Forest, Berkshire. Erected by the Duke of Cumberland in ... more information

[London]: Printed by C. Hullmandel, [1825]. Hand-coloured lithograph. 18 x 13 1/4 inches. Rare and very desirable hand-coloured lithograph of the Huron chief, Nicholas Vincent Tsawanhonhi, drawn from an original painting by Edward Chatfield. We can find only two copies of this print, one in the Winkworth Collection at the National Archives of Canada, and another at Yale. In this image Chief Tsawanhonhi is pictured in his native dress, as he was when presented with three other Huron chiefs to King George ... more information

New York: Currier & Ives, 1862. Hand-coloured lithograph. Very good condition apart from a few small tears in the top margin and several light water stains in the margins, one of which slightly extends into the top of the image. Slight discolouration of the paper due to age. 12 1/8 x 15 5/8 inches. 13 7/8 x 17 7/8 inches. A scenic, tranquil landscape in upstate New York with a small glimpse of the Hudson River visible through the foliage between the two rocky outcroppings bordering the dirt road. Fran... more information

[dated 1840-1844]. Small folio. (12 x 9 inches). 22 etchings (sheet size 11 x 8 inches and smaller, three on india paper mounted) tipped onto 22 leaves. Later red morocco gilt, the covers with gilt outer border of a wide fillet, surrounding inset wooden panels carved in semi-relief with a border of stylized flower sprays within arched spaces, around a central panel of semi-naturalistic foliage, the flat spine gilt in six compartments, gilt metal locking clasp, gilt edges, by Asprey, 166 Bond Street (impr... more information

New York: Currier & Ives, 1857. Lithograph, coloured by hand, by Charles Parsons. 21 5/8 x 29 3/4 inches. A dramatic scene after Arthur Tait, full of movement: a pair of retrievers quest for their masters quarry, one, successful, holds aloft a bird, the second has spotted the second injured bird. In the background their master urges them on. Tait spent the first three decades of his life in England and arrived in New York in 1850. A follower of Edwin Landseer and the style of the Pre-Raphaelites, he e... more information

[colophon: Hammersmith, London: Kelmscott Press, sold by the Trustees of the late William Morris, 4th March 1898]. Octavo. (8 1/8 x 5 5/8 inches). Printed in red and black, in Golden, Troy and Chaucer types. 1 large woodcut illustration of "Psyche borne off by Zephyrus" by William Morris after Sir Edward Burne-Jones, 2 woodcut borders and other floral and foliate ornaments. (Without the loose erratum slip). Original holland-backed blue/grey paper-covered boards by J. & J. Leighton, letterpres... more information

Pencil and watercolour, heightened with gum arabic, within artists's brown-lined border. signed in brown ink. Framed and glazed. 13 x 9 1/8 inches. A fine, technically excellent original botanical illustrations to L'Horticulteur Français de Mil Cent Cinquante. Little is known of Maubert other than the extensive body of published work, which includes illustrations for Francis Boott's Illustrations of the genus Carex (London: 1858-1867); H.Jaubert & E.Spach Illustrationes plantarum Or... more information

Pencil and watercolour, heightened with gum arabic, within artists's brown-lined border. Inscribed in pencil 'Cestrum roseum' (lower centre). Framed and glazed. 13 x 9 1/8 inches. A fine, technically excellent original botanical illustration to L'Horticulteur Français de Mil Cent Cinquante. Little is known of Maubert other than the extensive body of published work, which includes illustrations for Francis Boott's Illustrations of the genus Carex (London: 1858-1867); H.Jaubert &a... more information

Pencil and watercolour, heightened with gum arabic, within artists's brown-lined border.Framed and glazed. 13 x 9 1/8 inches. A fine, technically excellent original botanical illustrations to L'Horticulteur Français de Mil Cent Cinquante. Little is known of Maubert other than the extensive body of published work, which includes illustrations for Francis Boott's Illustrations of the genus Carex (London: 1858-1867); H.Jaubert & E.Spach Illustrationes plantarum Orientalium (Paris: 1842... more information

Pencil and watercolour, heightened with gum arabic, within artists's brown-lined border. Framed and glazed. 13 x 9 1/8 inches. A fine, technically excellent original botanical illustrations to L'Horticulteur Français de Mil Cent Cinquante. Little is known of Maubert other than the extensive body of published work, which includes illustrations for Francis Boott's Illustrations of the genus Carex (London: 1858-1867); H.Jaubert & E.Spach Illustrationes plantarum Orientalium (Paris: 184... more information