Authors starting with 1 from Donald Heald Rare Books

Rome: 1772. Copper engraving by Ottaviani after drawings by Ludovico Teseo, printed in black with stunning later professional hand-colouring. Very good condition. 42 1/4 x 16 inches. 46 3/8 x 20 1/8 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with later professional hand-colouring. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work and executed by Raphael and his assistants ... more information

Rome: 1772-1777. Copper engraving by Volpato after a drawing by Camporesi, later professional hand-colouring. Good condition. Expert strengthening to verso of right outer blank margin, some old light creasing to 3 inches of the sheet. 25 x 16 3/8 inches. 26 3/4 x 19 1/8 inches. This beautiful perspective view of Raphael's Loggia, served as the frontispiece to the celebrated text, "Loggie di Rafaele nel Vaticano". This arresting print is a general perspective view of Raphael's design for ... more information

Rome: 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand- colouring. Good condition. Trimmed to just within plate mark along lower margin, expert repair to upper left corner just affecting image area, small repairs to right blank margin. 42 7/16 x 16 7/8 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with contemporary colouring of the highest quality from the golden a... more information

Rome: 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand- colouring. Good condition. Sight size: 43 x 17 inches. 42 1/4 x 16 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" de... more information

Rome: 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand- colouring. Good condition. Three repaired tears to the left blank margin. Sight size: 31 1/8 x 18 1/4 inches. 30 1/4 x 17 1/8 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part o... more information

Rome: 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand- colouring. Good condition. Sight size: 43 x 17 1/4 inches. 42 1/8 x 16 3/8 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano... more information

Rome: [circa 1776]. Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Some marginal restoration. 25 x 22 7/8 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the d... more information

Rome: 1774. Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Some marginal restoration at corners and margins. 25 x 22 7/8 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" ... more information

Rome: [circa 1774]. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. 24 5/8 x 22 1/8 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The scene in the main panel shows the three angels that appeared to Abraham and told him that he and his wife Sarah will have a son. ... more information

Rome: [circa 1774]. Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. 25 x 22 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. In the main panel the Lord appears to Isaac and tells him not to go down into Egypt but to stay in Gerara. A very fine... more information

Rome: 1770. Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. 24 1/2 x 21 3/4 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Jacob at Luza having a vision of the angels ascending and descending by a ladder which reached fr... more information

Rome: [circa 1774]. Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. 24 1/8 x 22 3/4 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Joseph telling his brothers of his prophetic dreams "Hear my dream which I dreamed. ... more information

Rome: [circa 1774]. Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. 24 3/4 x 21 3/4 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Moses coming down from Mount Sinai, holding the tablets bearing the ten words of the Cove... more information

Rome: [circa 1774]. Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. 24 1/8 x 22 1/8 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows King David, having subdued Syria, returning to Jersusalem with armour made of gold. A ver... more information

Rome: [circa 1774]. Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. 24 7/8 x 22 7/8 inches. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows the moment during the Last Supper when Jesus announces that one of the twelve disciples w... more information

Rome: 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand- colouring. Trimmed to platemark left margin. Good condition.42 1/2 x 17 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series, with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano&qu... more information

Paris: Le Hay and Duchange, 1714; Jacques Collombat, 1715. Folio. (19 3/4 x 13 inches). Engraved title, 102 engraved plates (comprising 100 numbered plates and 2 unnumbered, 3 double-page), one leaf of engraved music. Contemporary red morocco, covers ruled in gilt, spine in eight compartments with raised bands, black morocco lettering piece in the second compartment, the others with an overall repeat decoration in gilt, marbled endpapers (expert restoration to the joints). A lovely copy of Le Hay and Ferri... more information

[Paris: Published by M. Delafosse, 1779]. Hand-coloured engraving. Tipped onto larger sheet of fine laid paper. Very good condtion. 11 1/2 x 17 3/4 inches. 13 3/4 x 21 1/8 inches. A beautifully coloured print picturing one of the many picturesque garden follies in the Parc Monceau, from Carmontelle's "Jardin de Monceau," a collection of plates depicting the innovative features and design of this famous Parisian park. Designed by Carmontelle for the Duc de Chartres (the future Duc d'Orl&ea... more information

circa 1780. Hand-coloured engraving, printed on wove paper. Very good condition apart from some overall light soiling and a few small losses and skillfully repaired tears along the edge of the top margin. A few small surface abrasions along the exterior of the platemark. Trimmed virtually to the platemark on the right side. 13 3/4 x 22 7/8 inches. 16 1/4 x 24 7/8 inches. A beautifully coloured print of the newly constructed Fort Belvedere in Windsor Forest, Berkshire. Erected by the Duke of Cumberland in 1... more information

Calcutta, Purnia and St. Helena: 3 May 1788 to 21 March 1798. 2 volumes, small folio. (12 3/16 x 7 5/8 inches). 8 pages of manuscript indices of the names of the recipients of the letters (4 in each volume), 753 pages of letters (319 in vol.I; 434 in vol.II), in two or more hands. The subjects covered by Lambert include family matters (letters to his sisters Mary Ovans and Jane Gilchrist, his brothers Thomas and Charles, his uncle Anthony senior), life in India (his precarious health, social occasions, view... more information