Authors starting with G from L'Estampe Originale

1873. Etching printed in blue-gray ink. Signed and dated in the plate. On verso "No. 14 P.G." etc. With the stamp, (Lugt 2807c). Signed: 2nd state "Bon a Tire." Image:4 1/2 x 5 3/4. Margins: 9 x 11. ... more information

1632. Engraving. Title page of H.G. Evans, Rubens und Sein Werk, p. 104; V. Schneevoogt, p. 194, no. 7. With an unidentified watermark. Blosius, a Benedictine abbot, on his knees before the Virgin and Christ, offers the volume of this work, held before him by four women representing monastic virtues. 13¼ x 8½. Trimmed just outside the platemark all around. Beautiful impression. ... more information

1840. Lithograph. Armelhault and Bocher 246 ii/iii, before the addition of "Les Artistes" and the "#16" on top. Prov.: unidentified stamp: B.B., not in Lugt. Image: 10½ x 6¾. (275 x 190mm) Margins: 14 x 10 . AKA Sulpice Guillaume Chevalier. ... more information

Lithograph. 1854. Dated in the plate. Image: 13¾ x 8¾. Margins: 15¼ x 10. ... more information

1842. Lithograph. Armelhault & Bocher 34, iii/v. On chine appliqué. Image: 8 x 6¼. 225 x 156mm. Margins: 12 x 9 . Foxing in margins. Prov. I. Curmer, with his stamp. A charming portrait at age 38 of the greatest French lithographer after Daumier of the 19th century. A prolific illustrator, he depicted all facets of the French Bougeois life in newspapers and periodicals. ... more information

1822. Lithograph. L. Delteil 45 ii/iv, with the name of the artist and the address of the printer Delpech. RARE. Image: 7¾ x 9 . Margins: 10½ x 13½. ... more information

1822. Lithograph, published by Gihaut. Delteil 47 ii/iv, before the no. 2 is added. From the suite of twelve Etudes de Chevaux Lithographies. Slight foxing. Image: 8¼ x 9¼. Margins: 10 x 14¼. ... more information

1822. Lithograph. Delteil 52 ii/iv, with the address of the publisher. From the suite of twelve, Etudes de Chevaux Lithographies. Image: 6¾ x 8½. Margins: 11¼ x 14½. ... more information

1823. Lithograph. Delteil 59 ii/iv, with the name of Gericault and the address of Englemann. Image: 5¼ x 8½. Margins: 10½ x 14½. In good condition with full margins. ... more information

1823. Lithograph. Delteil 61 iii/iii. From . Ex coll'n: Lang Verly, Rouart. Image: 6½ x 6¾. Margins: 9¾ x 12 . Binding holes on the left. ... more information

1823. Lithograph. Delteil 76 iii/iv, after the address of the publisher Hulin was erased. From the suite Quatre Sujects Divers. (A fifth lithograph was added later.) From the ex coll'n of Lang Verly. Image: 8¾ x 12. Margins: 11½ x 16¼. ... more information

After Karel van Mander. From a set of 14. Hollstein 396-409. Lacking the legend. 11¼ x 7½. Trimmed to the platemark. ... more information

New York., E.P. Dutton & Co., Inc., 1955. Tran. From the Norwegian 256pp. inc. illus. Fine copy with DJ in fine condition. 1st U.S. ed. ... more information

New York., Literary Guild., 1932. Englished Anew by George Philip Krapp with wood engravings by Eric Gill. 309 pp. In original jacket. Small 4to. Fine interior. ... more information

London and Edinburgh., Pub. by A. Fullarton & Co., 1850. Hand colored engraving of 9 butterflies Pl. XXXIX. 140mm x 233mm with small margins. Oliver Goldsmith (1728-1774) was an accomplished poet, playwright and biographer who also had an abiding interest in the natural world. The first edition of his extensive natural work was published in 1774, and it was instantly popular. Several editions and reprints followed well into the nineteenth century. Judging by the size of the plate, this print is mos... more information

London and Edinburgh., Pub. by A. Fullarton & Co., c.1850. Hand colored engraving of 6 butterflies, Pl XL. 140mm x 233mm with small margins. Oliver Goldsmith (1728-1774) was an accomplished poet, playwright and biographer who also had an abiding interest in the natural world. The first edition of his extensive natural work was published in 1774, and it was instantly popular. Several editions and reprints followed well into the nineteenth century. Judging by the size of the plate, this print is most ... more information

Hollstein 251, only state. Engraving. 250 x 128mm. Trimmed to the platemark. The collector's stamp has bled through the paper in the lower right hand of the legend only. Provenance: Duplicate, Rijksmuseum, Amsterdam (Lugt 240), Print Cabinet, Leiden (L. 1665) and Dubbell, Leiden Print Room (L.7006). Watermark: Eagle. Hendrik Goltzius (1558 - 1617): The Standard Bearer, Standing, Facing Left. Hollstein 251, only state. Engraving. Provenance: Duplicate, Rijksmuseum, Amsterdam (Lugt 240), Print C... more information

1919. Valentin Parnakh. Pari Kuo Nah. 8vo. 43pp. with [3] original lithographs, one in black and white and two in color. Bound in paper wraps. See #620 Russian Modernism, The Collections of the Getty Institute. Compiled by David Woodruff & Ljilljana Ghubisic. 1997. Also see: Chmot: Monograph on Gotcharova mentions collaboration with Parnakh. Parton: Monograph onm Larionov. In fine cond. ... more information

New York, G.P.PUTNAM/WINDHOVER EDITION, Dec, 1975. Large 4to. paperback edition. Unpaginated. Berkley Publishing Corporation. First Edition; Second Printing. Softcover. A near fine copy. Includes fifteen books originally published between 1953 and 1965. ; 20.5 x 28 cm . Berkley Publishing Corporation. Decorative stamped title-block. 15 stories. ... more information

San Francisco., Troubadour Press., 1982. First edition, first printing. Soft cover. Square 4to. 40pp. Illustrated with paper doll cutouts in black and white with a fold over back cover illustrated with 2 cut out cats in color. A very fine copy in fine condition. ... more information