Authors starting with V from Ars Libri Ltd

Berlin, 1973.. 141, (9)pp. Prof. illus. Oblong 4to. Wraps. ... more information

Berlin, 1977.. 143pp. Prof. illus. Sq. 4to. Wraps. ... more information

Berlin, 1992.. 232pp. Wraps. ... more information

Baden-Baden, 1985.. 397, (1)pp. Prof. illus. (partly color). Lrg. 4to. Wraps. Parallel text in German, English and French. ... more information

Karlsruhe, 1979.. 183, (1)pp. Prof. illus. Lrg. 4to. Cloth. ... more information

Corte Madera, Ca (Gingko Press), 2001.. 171, (3)pp. Prof. illus. in color. Lrg. 4to. Cloth. D.j. ... more information

New York (Wittenborn, Schultz), 1948.. xvi, 48pp. 49 illus. hors texte. 4to. Wraps. ... more information

Tempe, 1977.. 93ff., printed on six colors of stock. Oblong 8vo. Wraps., secured with brads, as issued. ... more information

München (Georg Müller), 1911.. xxiv, 914pp. Sm. sq. stout 4to. Wraps. Edition limited to 1500 copies. ... more information

New York (The Heritage Press), 1967.. 2 vols. xvii, (1), 344pp.; 386pp. 32 plates. 4to. Boards, 1/4 cloth. Slipcase. ... more information

Arezzo (Michele Bellotti), 1762.. x, 174pp. Engraved frontispiece portrait and title-page vignette; wood-engraved culs-de-lampe, lettrines. 4to. Early pastepaper wraps. The first edition was published in Florence in 1588. As is noted by both Cicognara and Schlosser, this is in fact a third issue of the work, a reprint of the original having appeared in Florence in 1619 under the title “Trattato della pittura.” “The ‘Ragionamenti,’ his explanation of the paintings in the Palazzo V... more information

Leipzig (Insel-Verlag), 1910.. 183, (3)pp. Title-page ornament by van de Velde, printed in tan, repeated on front cover, embossed in gold. Lrg. 8vo. Wraps. (light wear at spine). “Die Belebung des Stoffes als Prinzip der Schönheit,” “Die Linie,” “Vernunftgemässe Schönheit,” “Volkskunst,” and other subjects. Handsome typography by van de Velde. ... more information

New York (Doubleday), 1989.. xx, 395pp., 16 plates. 4to. Boards, 1/4 cloth. D.j. ... more information

Milano (Stampa: “Grafa”), [1936].. 8, (2)pp., 6 color plates, printed in green and black. Sm. folio. Wraps. (light soiling). Glassine d.j. Poetic meditations on geometry by the great Leonardo Sinisgalli (opening “L'inverno ci stringe d'assedio nella nostra solitudine”) whose literary career coexisted with one in architecture and graphic design; here in tandem with a portfolio of strikingly beautiful geometric abstractions by Veronesi, who had become a member of the Abstraction-C... more information

[Lunenberg] (Stinehour Wemyss Editions), 2006.. 102pp. Prof. illus. 1 hors-texte photographic print, mounted on board and signed, numbered, titled and captioned by the artist in pencil on the mount, loosely inserted in pocket under back cover, as issued. 4to. Cloth, with mounted title panel on front cover. Edition limited to 27 numbered copies, signed and numbered by the artist in the colophon. The edition is divided in three tirages of nine copies each, with a different hors-texte photographic print for e... more information

Frankfurt (Revolver [Archiv für Aktuelle Kunst]), 2003.. 60pp. Prof. illus. 12mo. Boards. Parallel texts in English and Spanish. “Salto del Agua, a collaborative undertaking by conceptual artist Anton Vidokle and sound engineer Christian Manzutto, is a super 8 film of an urban structure in Mexico City....” ... more information

Roma, n.d.. (120)pp. Prof. illus. Folio. Wraps. (slight tear at head of spine). Parallel text in Italian and English. ... more information

Muenchen Pfingsten (Heinr. Graf), 1924.. (4)pp. (single sheet folding), set in letterpress with title, dedication, poem by Vogenauer, and table/colophon (signed in ink by Heinrich Graf); 10 original drypoint etchings by Vogenauer, all signed in full and numbered I/X in pencil and tipped onto Bütten paper mounts blindstamped with the printer’s initials; 1 additional trial proof of the first etching, annotated and initialled in pencil. Image size varies, from 55 x 48 mm. to 130 x 70 mm. (2 1/8 x 1 ... more information

Amsterdam (The Artist), 1940.. (24)pp., printed on white Holland van Gelder and pink Pannekoek Renaissance papers. 3 tipped-in halftone plates; 1 line-drawn composition (reprinted on front cover). Folio. Portfolio: all contents loose, as issued, within dec. wrapper, designed by the artist. Glassine d.j. (chips). Vorzugsausgabe: one of 10 copies signed and numbered in the colophon by Vordemberge-Gildewart, from the limited edition of 85 copies in all (including 10 hors commerce). The Dutch artist Friedrich... more information

Amsterdam (The Artist), 1940.. (24)pp., printed on white Holland van Gelder and pink Pannekoek Renaissance papers. 3 tipped-in halftone plates; 1 line-drawn composition (reprinted on front cover). Folio. Portfolio: all contents loose, as issued, within dec. wrapper, designed by the artist. Original glassine d.j. Vorzugsausgabe, signed and numbered in the colophon by the artist, from limited edition of 75 copies in all, of which 1-65 were to be reserved for the artist, and 10 further copies, designated a-j,... more information