Authors starting with V from L'Estampe Originale

Woodcut. Les Amateurs d'Estampes. Ref: V&G 107 c/d. Image: 7 x 10. Margins: 10 x 13. Paper toned. ... more information

Paris, Bibliotheque Corinthienne, 1896. Zincograph. Printed in black ink. Signed in the plate L.V. lower right. 1 franc. 86 rue Blanche, Paris in the image. Image: 9 3/4 x 12 1/4, Margins: 10 x 13. (235mm x 312mm, 250mm x 328mm). A very fine impression on cream wove paper with full margins. A slight horizontal crease at the head of the sheet, a short mended tear upper left margin. Very RARE , issued in a small edition as an announcement by the Bibliotheque Corinthienne (The Corinthean Library). ... more information

Engraving. M. 14540. Provenance: H. Buttstaedt - painter, print dealer and photographer. Lugt 318. 4 x 3. Trimmed to platemark. A fine impression. ... more information

c. 1600. Engraving. After Coninxloo. Holl. 23; Le Blanc 13. 13 x 19½. Trimmed to platemark. ... more information

New York., The Museum of Modern Art., 1986. 4to. Soft cover. Fine condition. ... more information

New York., E.P. Dutton and Co., 1927. 57 pp. of text and 12 Illus. by John Vassos. Quarto. First edition. Bound in boards. Embossed gilt lettering on spine and cover. Gold & black endpapers. Perfect dust jacket. Good. ... more information

Prague, Odeon, 1925. 4 to. 104pp. Czech Avant Garde 251 Kat. Nr. 315. (19,6 x 14 cm). 103 pp. Title page printed in red and black.Typography by KarelTeige. Original wrappers, with photomontage in red and black by Karel Teige. (Odeon, 2).NT|Primus, ill. 183, cat. 24; Valencia, ill. p.34. Translated by St.K.Neumann. The attractive photomontage cover printed in brown, black and red on cream stock. In near fine condition, small tear in lower right corner missing. ... more information

Paris., Histoires des Arts Plastiques., 1949. Printed by Mourlot Frères, Paris Folio. 18pp. intro. and notes on the plates. 10 colored plates suitable for framing and 5 figures in black and white. 47 pp total. Reproduction of stained glass windows from famous French cathedrals. ... more information

Watercolor in grey and black, pen and ink, collage. Signed in pencil. Prov: Count de Cantacuzène, stamp on verso. 11 1/4 x 9. Photos available. Daniel Vierge is often referred to as "The Father of Modern Illustration". born in Madrid to a noted illustrator. He studied at the Madrid Academy and by the age of 16 was working for a leading local paper, Madrid la nuit. In 1869 he moved to Paris to become a painter. His illustrations appeared, starting with the Sept. 17, 1870 issue, in Le... more information

Sagot (Lugt 2254), 1907. Etching and aquatint.. Ginestet & Pouillon E 195 v/v. 9 1/4 x 6 1/2 (240 x 170mm). 17 1/2 x 12, ( 445mm x 310mm) . Full margins with a deckled edge. Signed and numbered in pencil from the edition of 50. From the suite dedicated to Minne. ... more information

1899. Lithograph in four colors (yellow, orange, blue and black). Ginestet, E. 31, completed state. Signed in the stone and with the blindstamp. Only issue, pub. as a supplement to l'Estampe et l'Affiche by Andre Mellerio. Fine impression with fresh colors. Pale cream japon paper. 11 1/2 x 8 7/8. Original lithograph in four colors. 1899. Signed in the stone and with the blindstamp of L'Estampe et l'Affiche. The only issue as published in a supplement to the publication by Mellerio i... more information

1922. Woodcut. Walterskirchen 246. Signed and annotated with the edition number in pencil. From the edition of 60 impressions. 12 3/8 x 16 3/8, Margins: 16 1/4 x 19 1/4. In fine condition. ... more information