Search Results

210mm x 130mm. Printed in 1805 in England. Engraved by J. Pass. Hand colored engraving. In very good condition with the binding holes on the left. Marcus Bloch was born in Anspach. He was a medical doctor but became interested in natural history at an early age and studied intestinal worms. When he was 57, Bloch began his studies of fish. His first original work was on German fish. His study of foreign fish was based on the work of others thereby incorporating a great deal of inaccurate findings... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 74. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. ... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. ... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. ... more information

Lithograph from Views of Paris. c. 1840. Lithograph with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. ... more information

From the Views of The Remains of Ancient Buildings in Rome and its Vicinity. c. 1820. Hand-colored lithographs with extant binding and accompanying text. Image: 9 x 12¼. Margins: 12¾ x 15½. ... more information

From the Views of The Remains of Ancient Buildings in Rome and its Vicinity. c. 1820. Hand-colored lithographs with extant binding and accompanying text. Image: 9 x 12¼. Margins: 12¾ x 15½. ... more information

Pub by W. Miller., 1811. Image: 12 ¾ x 9". Margins: 16 ¼ x 10 ¾". Hand colored aquatint, When it was published, George Perry's book on shells was ridiculed for its eccentric taxonomy and fanciful coloring. However, it has now been accepted as a serious scientific work, and Perry's shell names are still in use today. The prints of shells are vibrantly colored, and are the only conchological prints made by aquatint. See Classic Natural History of Prints (Shells) ... more information

Pub by W. Miller. 1811. Image: 12 ¾ x 9". Margins: 16 ¼ x 10 ¾". Hand colored aquatint, When it was published, George Perry's book on shells was ridiculed for its eccentric taxonomy and fanciful coloring. However, it has now been accepted as a serious scientific work, and Perry's shell names are still in use today. The prints of shells are vibrantly colored, and are the only conchological prints made by aquatint. See Classic Natural History of Prints (Shells) a... more information

Pub by W. Miller., 1811. Image: 12 ¾ x 9". Margins: 16 ¼ x 10 ¾". Hand colored aquatint, Pl. 20. When it was published, George Perry's book on shells was ridiculed for its eccentric taxonomy and fanciful coloring. However, it has now been accepted as a serious scientific work, and Perry's shell names are still in use today. The prints of shells are vibrantly colored, and are the only conchological prints made by aquatint. See Classic Natural History of Prints (Sh... more information

Pub by W. Miller., 1811. Image: 12 ¾ x 9". Margins: 16 ¼ x 10 ¾". CASSIS. Hand colored aquatint, When it was published, George Perry's book on shells was ridiculed for its eccentric taxonomy and fanciful coloring. However, it has now been accepted as a serious scientific work, and Perry's shell names are still in use today. The prints of shells are vibrantly colored, and are the only conchological prints made by aquatint. See Classic Natural History of Prints ... more information

Pub by W. Miller., 1811. Hand colored aquatint, Pl. 42. 12 ¾ x 9". When it was published, George Perry's book on shells was ridiculed for its eccentric taxonomy and fanciful coloring. However, it has now been accepted as a serious scientific work, and Perry's shell names are still in use today. The prints of shells are vibrantly colored, and are the only conchological prints made by aquatint. See Classic Natural History of Prints (Shells) and Nissen ZBI 3134. ne ... more information

Pub by W. Miller., 1811. 12 ¾ x 9". Hand colored aquatint, Pl. 45. When it was published, George Perry's book on shells was ridiculed for its eccentric taxonomy and fanciful coloring. However, it has now been accepted as a serious scientific work, and Perry's shell names are still in use today. The prints of shells are vibrantly colored, and are the only conchological prints made by aquatint. See Classic Natural History of Prints (Shells) and Nissen ZBI 3134. 550.00 ... more information

Pub by W. Miller., 1811. Image: 12 ¾ x 9". Margins: 16 ¼ x 10 ¾". Hand colored aquatint, Pl. 49. When it was published, George Perry's book on shells was ridiculed for its eccentric taxonomy and fanciful coloring. However, it has now been accepted as a serious scientific work, and Perry's shell names are still in use today. The prints of shells are vibrantly colored, and are the only conchological prints made by aquatint. See Classic Natural History of Prints (S... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 75. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. ... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. 250.00 ... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. ... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 36. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. ... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 39. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. ... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 43. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. 250.00 ... more information