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1874. Etching with drypoint. Salamon 157; Harrington 157, trial proof between e and f, Schneiderman 141 viii/ix, in an edition of 50 impressions. A superb impression. Signed in pencil; inscribed "splendid proof" on tabs glued down on the lower margins. Watermark: J. Whatman paper. Illustrated. Etching with drypoint. Salamon 157; Harrington 157, trial proof between e and f, Schneiderman 141 vii/ix, from an edition of 50 impressions. A superb impression. Signed in pencil; inscribed "sp... more information

1877. Etching. B\G 126 iii\v, without the letters and before the edition published by Cadart in L'Illustration Nouvelle. On simili-japan pellure paper. 7 5/8 x 11. Full margins. In fine condtion. ... more information

c. 1900. Etching. Signed with pencil and numbered, from the edition of 9. Rare. Image: 13 x 17 . Margins: 17 x 24. ... more information

1824. Lithograph. Proof before letters. Some soiling, foxing, repaired tears in margins only. Image is fine. Very RARE. One od the earliest lithographs published in Russia. Image 12 x 16, margins:13 1/4 x 19 1/4. Alexander Orlowski was born in Warsaw into a well-to-do Polish family; his father had an inn in the small provincial town of Sedlitz. In 1802, he moved to Lithuania, and then came to St. Petersburg, where he lived to the end of his life. Under the patronage of prince A. Czartoryskich, he wa... more information

S&J Fuller., 1821. A Complete set of six colored aquatints by Alken and T. Sutherland. Siltzer p. 59. Illustrated. Each image approximately 335 X 380 mm. (13 1/4 X 15) with 1/2-1 1/4 inch margins. A beautiful RARE SUITE of sporting prints. In excellent condition with the colors bright. On creme wove paper. Conversation framed. 1. THE FOAL 2. IN TRAINING 3. THE RACER 4. THE HUNTER 5. THE POST HORSE 6. THE DEATH ... more information

Lemercier, prnter, 1861. Lithograph. With the Rodolphine stamp. On chine collé. Van Gelder 100. Image: 22 1/4 x 20 3/4. Margins: 36 1/2 x 28 1/2. 1867 - 1882 Printed in several editions including by Bresdin's daughter, Rodolphine. Van Gelder, 100 Height 22.1 in.; Width 17.3 in. / Height 56.1 cm.; Width 43.9 cm. at auction ... more information

1878. Lithograph. A Rodolphine impression (posthumous) with the blindstamp, lower right. Illustration for Les Fables et Contes by Hippolyte de Thierrry Fatelans. DVG124A. Size Height 19 in.; Width 15.6 in. / Height 48.3 cm.; Width 39.6 cm. ... more information

1879. Etching, aquatint, roulette and drypoint. Bourcard-Goodfriend 128, ii-iii/ix, Cate 9. Rare proof on Japan paper. Image: 9 1/4 x 13 3/4. Margins: 10 3/4 x 15 1/4.In fine condition. ... more information

1862. Etching on cream laid paper, 1862. 317x236 mm; 12 1/2 x 9 3/8 inches, full margins. . A superb, richly-inked impression. Delteil 18; Melot 18. In fine condition with the exception of minor matt staining. Probably has been cleaned. ... more information

Lithograph after an etching. A Rodolphine impression (posthumous) with the blindstamp, lower right. On chine applique. DVG 131ii or iii. Please inquire for size. ... more information

Madrid, 1799. Delteil 40i, Harris 38i/xii. Etching with burnished aquatint. Plate 3 of Los Caprichos, First state, 1st edition, Before the plate was beveled and steel faced, This the 1799 first edition is identified by the brilliance of the impression and the paper and ink used. 215 x 150mm, 8 7/16 x 5 7/8. Goya's infamous Los Caprichos set of 80 aquatints and etchings was issued in working proofs, trial proofs, and 12 states. The plates are in the possession of the Calcografia and the sets have ... more information

1873. Etching printed in blue-gray ink. Signed and dated in the plate. On verso "No. 14 P.G." etc. With the stamp, (Lugt 2807c). Signed: 2nd state "Bon a Tire." Image:4 1/2 x 5 3/4. Margins: 9 x 11. ... more information

1862. Etching and drypoint. Beraldi 175, Cate, Japonisme, p.35. From the first Cadart and Chevalier issue with their blindstamp in the lower margin. Image: 10¼ x 7¾. Margins: 19¾ x 14 . ... more information