Titles starting with B from L'Estampe Originale

Leipzig., Karl Baedeker., 1901. 2nd ed. 12mo. 608pp. with a fold out map of Spain and Portugal bound in the front and various maps of areas and floor plans of many important structures. Bound in typical red cloth. Some fraying on the bottom spine, notations of an ardent traveler in the text, otherwise a very good copy. ... more information

New York., E.P. Dutton and Co., 1930, Conceptions Vassos, John (illus). Uncut bright and clean copy includ DJ in fine condition.. Quarterbound, coated black cloth spine, gilt lettering and decorative elements, patterned blue paper boards, frontispiece, tissueguards. 8vo. 124pp. Illus. (b/w plates). Conceptions by John Vassos. Vassos second work, following his breakthrough work with Solome in 1927. ... more information

July 1859. Drawing. Pencil Drawing: 6 x 9 . Ink Drawing 14 x 8½. Cambridge, MA. ... more information

Woodcut. Image: 14¼ x 9½. Margins: 22½ x 14¾. c. 1918. Signed and annotated, probedruck. ... more information

1909. Many full page illustrations. 32 pages. 7 x 5. ... more information

Lithograph. N.D. Curtis 21 H 24 ii/v. Ex coll'n: Lang Verly. Image: 7¼ x 9¼. Margins: 8½ x 12. ... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. ... more information

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. ... more information

1764. Engraving. Paulson 216, only state. An 18th century impression on laid paper with a watermark dated 1749. Image: 12¾ x 13 . Margins: 15½ x 18. Some soiling in the margins, otherwise a fine impression.. Purchased 1979 ... more information

From the Views of The Remains of Ancient Buildings in Rome and its Vicinity. c. 1820. Hand-colored lithographs with extant binding and accompanying text. Image: 9 x 12¼. Margins: 12¾ x 15½. ... more information

Etching and Engraving. 1758-1764. P. 205 v/vi. Image:12 1/4 x 8 3/8. Margins: 16 x 11 1/8. Hogarth was working on this plate the day that he died. It was pub. posthumously by his widow. ... more information

1895. Lithograph. Wittrock 136 i/i, from the first song-sheet edition, ca. 1895. (There were only 20 impressions in the first edition without music and the first song-sheet edition is likewise rare). ... more information

1859. Etching and drypoint. Printed on laid paper. Kennedy 47, seventh state of eight. Signed and dated in the plate. Full margins with a deckled edge on all four sides. Image: 150mm x 220mm. Margins:220mm x 314mm. A very fine impression in very good condition. ... more information

Monte Carlo., A. Sauret., 1952. 183 pp. 98 pls. One of a ltd. ed. of 2500. Fine copy in slipcase. ... more information

Etching. Geffroy 37. Signed in pencil. Without letters, later published as an illustration for a menu. Image: 5 x 8¾. Margins: 8 x 11¾. ... more information

c.1900. Etching. Geffroy 37. Signed in pencil. 5 x 8½. Later used as an illustration for a menu. ... more information

London and Edinburgh., George Bell & Sons., 1902. 8mo. 114 pp. Title, tailpieces, headpiece initials by Robert T. Rose. Full vellum with two ties intact. Limited to 750 copies on hand-made paper. Type arrangement and printing by William H. White of the Abbey Press. In fine condition. Uncut. Prolific illustrations. A fine example of English press books. ... more information

Etching and drypoint. c. 1940. Signed and titled in pencil. Image: 14¼ x 10. Margins: 17 x 13. ... more information

1832. Lithograph. Curtis 58 ii/iv. Ex coll'n: Lang Verly. Image: 6½ x 11½. Margins: 14¼ x 21¾. ... more information

Springfield., 1896. Vol. 1 No.1. Tall 8vo. Pictorial paper wrappers with superb Art Nouveau covers in green, black and red designed by Bradley. This trend-setting first issue of Bradley's short-lived periodical is one of the finest American examples of art Nouveau design and graphic illustration. 30pp. A fine copy. ... more information