Titles starting with L from L'Estampe Originale

Verneau. From the suite Le Beau Pays de Bretagne. Lithograph in 14 colors. Plate 20. 1917. From the edition of 500. Ref: F. pp.70, 80. Rivière's last lithograph. Image: 9 x 14. Margins: 17 x 22. ... more information

Lithograph. c. 1897. Image: 12 x 7. Margins: 15 x 11½. POSTER IMAGE FROM LES MAITRES DE L'AFFICHE. ... more information

Paris, Louis Fort, c.1890. Soft ground etching on blue-green papier verdatre. Stella 2, only state; Delteil 2, probably a rare proof. Printed at the studio of Louis Fort. Stamped signature (Lugt 2137a). 8 x 5 . The papier verdatre is characteristic of Renoir's earliest printings. In excellent condition. The subjects in the painting were originally thought to be Suzanne Valadon and Louis Valtat. But recent identification of Renoir's wife to be, Aline Charigo, has been made. ... more information

Verneau, 1897. From the suite Les Aspects de la Nature. Lithograph. Plate #3. From the edition of 1000. Ref: F. p. 76. Image: 21½ x 32¾. Margins: 24¾ x 35 . ... more information

Lithograph. c. 1890. As published for L'Estampe et L'Affiche. Printed on very thin tissue. Image: 5 x 7. Margins: 9 x 11¼. ... more information

Lithograph in colors. 1898. Signed in pencil. From the smaller edition with the remarque in the lower right. Image: 11 x 7 . ... more information

Etching. Dutuit 75; only state. Watermark: early Amsterdam seal, see Dutuit. Rare with no later printings. Image: 4 x 6 . Margins: ½ to ¾ inch. ... more information

Brussels., Librairie Nationale D'Art et D'Histoire., 1916. 4to. Repertiores des ouvrages a consulter. Collection créé Pour L'Avancement des Sciences, Des Lettres et Des Arts en Belgique.Bruxelles (Brussels): G. van Oest, 1916-1918, . Two volumes, complete. An excellent bibliography on prints and printmaking. The first volume describes 610 general works; the second volume describes over 3,000 monographs on specific artists and periodicals, and includes a supplement to the first vol... more information

1900. Lithograph. In red, orange, green, black and violet. Printed by Affiches d'Art, I. de Rycker & Mendel, Brussels. sIGNED IN THE PLATE.  59 1/2 x 29.... more information

L'estampe et L'Affiche., 1898. The complete book with original lithograph frontispiece. Bouvet 53 La Loge and cover Bouvet 52 both by Bonnard. Publication by L'Estampe et l'Affiche. Bouvet 52 & 53.. Roger-Marx 72 & 73. One of 800 on papier teinté. 8 ¾ x 7 ½,,220 x 190. From the first edition limited to 1,000 copies. The coloured frontispiece and the front cover are original lithographs by Bonnard. A collection of texts edited by Mellerio. Fine copy, the cover... more information

1898. The complete book with original lithograph frontispiece La Loge and cover both by Bonnard. Publication by L'Estampe et l'Affiche Bouvet 53 & 54. 8 ¾ x 7 ½,,220 x 190. Fine copy, the covers slightly yellowed and common on this age paper and type. La Loge is in perfect cond. Prov: H.M. Petiet, his estate stamp on the inside flap. ... more information

Verneau, 1899. From the suite Les Aspects de la Nature. Lithograph. Plate #16. From the edition of 1000. Ref. F. p. 76. Image: 21½ x 32¾. Margins: 24¾ x 35¼. ... more information

Paris, Editions Nilsson, c.1920. Four little volumes containing 80 pochoir color cards (20 in each volume) of women's fashions from 1900-1920. Small 16mo. 9.4 x 7.25cm. Each volume In original handcolored printed wrappers with women in costume on the front of each volume. Housed in the original patterned paper covered card slipcase, with rose design on inside covers, with printed paper spine label. Box is shaken. Interior volumes are fine. Ties are perfect. ... more information

Verneau, 1897. Lithograph from the series of 16 lithographs from the suite LES ASPECTS DE LA NATURE in color. From an edition of 1000. 54.6 x 83cm. The 16 prints were published over a period from 1897-1899. ... more information

Zurich, l'Oeuvre Gravee, 1955. Intaglio in colors. From the ed. of 175. Image: 14¼ x 19, margins: 19½ x 25¾. Prov: U.C. Berkeley. Signed, titled and dated in pencil. ... more information

Verneau, 1902. Lithograph from the suite La Féerie des Heures. Lithograph in 12 colors. Plate 15. From the edition of 1,000. Ref: Fields p. 77, Toudouze, #107. Image: 9½ x 23 . Margins: 11 x 24 . ... more information

1912. Woodcut in brown and black L-B 524. Texier-Bernier 524ii. Signed and numbered in pencil, from the edition of 35. Image: 9¼ x 15 (233 x 399mm) . Margins: 12 x 17½. In fine condition with full margins. ... more information

Sagot (Lugt 2254), 1907. Etching and aquatint.. Ginestet & Pouillon E 195 v/v. 9 1/4 x 6 1/2 (240 x 170mm). 17 1/2 x 12, ( 445mm x 310mm) . Full margins with a deckled edge. Signed and numbered in pencil from the edition of 50. From the suite dedicated to Minne. ... more information

Paris, GLM Editions G[uy]. L[évis]. M[ano]., 1937. First Edition. Octavo. Twelve halftone plates and five sheets of text (by André Breton), unbound as issued, laid into blue wrappers and an outer black wrapper with a cutout window (often missing or damaged). Cutout area displays some slight fading. Described by Parr as "Duchampian ready-mades." (Parr / Badger, v.1, 108-109). Near Fine in wrappers with slight fading in the square title. A very good copy. Housed in a custom made cl... more information

1898. As issued. Lithograph. c. 1898. Image: 10¼ x 8. Margins: 15¾ x 10 . POSTER IMAGE FROM LES MAITRES DE L'AFFICHE. ... more information