The Workes of our Antient and Learned English Poet, Geffrey Chaucer, newly Printed.
by Chaucer, Geoffrey.
London: Printed by Adam Islip, at the charges of Thomas Wight, 1598. Folio, ,  ff., black letter, double-columns, title-page within a woodcut border, three divisional title-pages within woodcut borders, woodcut initials, ornamental headpieces and tailpieces, large woodcut coat of arms to verso of the prologues, and woodcut headpiece for “The Knightes tale.” Later (c. 1700?) calf with gilt supra libros stamp “HL” beneath a Viscount’s coronet (probably Henry Lowther (1694-1751), third and last Viscount Lonsdale); backstrip with five raised bands and faint remnants of gilt titling and hand-tooled decorations in each panel, red speckled edges. Lacks leaf a6, and the portrait of Chaucer, binding rubbed and bumped at corners, minor foxing, stains and wormholes, none of which obscure text, lacking the last 14 leaves mentioned in ESTC, Pforzheimer, and Grolier Club L-W, “The old and obfcure Words of Chaucer, explaned,” Aaaa 1-Bbbb 2, and “Corrections of fome faults, and Annotations upon fome places,” Bbbb 3-Bbbb 7. The text of Chaucer’s Works is complete. This edition was edited by Thomas Speght assisted by John Stowe, Francis Thynne, Francis Beaumont (the elder) and Robert Glover. It was the most recent Chaucer edition available during the period when Shakespeare was adapting Chaucer's Troilus to create Troilus and Cressida (1601-2). There are various settings of the title, some with a different woodcut border, and with slightly different imprints. Includes “The Canterbury Tales,” “The Romaunt of the Rose,” and “The Story of Thebes” by John Lydgate, all with divisional woodcut titles. Evidence of early readership in a few scattered annotations and shelf notes, Ben Jonson’s poem “The Kiss” in contemporary hand to verso of Errata with very minor variations from the printed version of 1601, and an intriguing inscription on f. 308 by “Elisbeth Welch” (sic). Provenance: Ink signature “Jo. Fortescue, Pem. Col. Oxenford, AD 1599,” to front pastedown. Evelina Rothschild with her bookplate to front pastedown. Slipped in is a note from the bookseller Hatchard, circa 1890, regarding this copy’s price.Grolier Club L-W, 43. Pfortzheimer 177. ESTC S111945. (Inventory #: 108633)
Books and manuscripts in all fields, especially medieval illuminated and text manuscripts; material on California, Hawaii, and Pacific voyages; illustrated books and fine bindings from the 15th through the 20th century; children's books from 1750 to 1950; and fine press printing. William Blake, Mary Wollstonecraft, and Thomas Frognall Dibdin are special interests.
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