1974 · Seattle
by Jameson, Richard T., ed.
Seattle: The Seattle Film Society. Near Fine. 1974. (No. 36). Stapled wraps. [no significant wear, just a tiny removed-sticker stain on the front cover]. (B&W photographs) In this issue: "The Realist Renaissance" by James Monaco, a joint review/analysis of MEAN STREES (Martin Scorsese) and AMERICAN GRAFFITI (George Lucas); a review of EVEN DWARFS STARTED SMALL (Werner Herzog); "Films & Feminism," a brief look at Jan Haag and the American Film Institute's Directing Workshop for Women; a review of DEATH WISH (Michael Winner); "Lunch at Bad Aussee," an account by Normand F. Lareau of his conversation with Harry Carey Jr. on the set of a film then shooting in Austria. Also: "Quickie" film reviews of THE WHITE DAWN (Philip Kaufman), THE FRONT PAGE (Billy Wilder), LE SAMOURAI (Jean-Pierre Melville), BUSTER AND BILLIE (Daniel Petrie), MY NAME IS NOBODY (Tonino Valerii), JUGGERNAUT (Richard Lester), THE BLACK WINDMILL (Don Siegel), and LUCKY LUCIANO (Francesco Rosi). ***NOTE that we have many more issues of this title (and other film magazines) in stock, and we welcome your inquiries. . (Inventory #: 25406)