1964 · N.p.
Based on the 1954 Italian novel "Il disprezzo" ("A Ghost at Noon") by Alberto Moravia. Director Jean-Luc Godard's lush Technicolor landmark that transformed Brigitte Bardot from a sex symbol into an art object, while simultaneously furthering his own reputation for being the most commercially successful deconstructionist in film history. A fascinating film that can be watched either as a narrative about a disintegrating relationship or as an unending series of pure cinematic references.
10 x 8 inches. Near Fine.
Criterion Collection 171. Godard, Histoire(s) du cinema. Rosenbaum 1000. (Inventory #: 150171)