1967 · Paris
One of three feature films Godard released in 1967, and like both "Week End" and "La chinoise," one that showcases Godard's increasing focus on deconstructing filmic narrative and structure, and vocalization of leftist political ideas.
Godard has stated that his overall desire with the film was "to include everything: sports, politics, even groceries" to make "an attempt at description of a phenomenon known... as a complex."
5 x 7 inches. Fine condition.
Criterion Collection 482. Rosenbaum 1000. Vogel, Film as a Subversive Art. (Inventory #: 138581)