Bauhaus Photography
by Mendelsohn (editor), Harvey L.
MIT Press, Cambridge, (1985). Very good. 11 1/2 x 9 inches, 315 pages, cloth, Dust Jacket (slight wear to outer edges).
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St. Louis & The Arch
by Meyerowitz, Joel
New York Graphic Society/St. Louis Art Museum, Boston, (1980). Very good. First Edition 9 1/2 x 10 inches, 112 pages, cloth, Dust Jacket (some wear at top of spine, price clipped on front flap), Signed by the photographer in felt pen on half title page.
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Things Are Queer
by Michals, Duane
Fotogalerie Wilde, Cologne, [1972]. Very good. First Edition 8 1/2 x 8 1/2 inches, unnumbered pages, wrappers, light soiling and several small creases, An early publication of Michal's sequential photographs.
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Things Are Queer and Chance Meeting
by Michals, Duane
Ann & Jurgen Wilde, Koln, 1972 and 1973. Fine. First Edition 8 1/2 x 8 1/2 inches, unnumbered pages, wrappers, Two catalogues published by Fotogallerie Wilde.
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Changements
by Michals, Duane
Herscher, Paris, (1981). VG, label residue inside front cover. 8 1/2 x 5 3/4 inches, unnumbered pages, cloth, Dust Jacket (good, outer edges soiled).
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Duane Michals Photographs
by Duane Michals
Vintage poster measuring 22 x 30 inches for an exhibition held at the Prints On Broxton gallery in West Los Angeles. This was the first gallery run by Larry Gagosian. It was renamed the Broxton Gallery when he began to show a wider array of contemporary art.
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Duane Duck: Photographs/Sequences/Texts 1958-1984
by Michals, Duane
Museum of Modern Art Oxford, Oxford, 1984. VG. 12 x 8 inches, 81 pages, wrappers (outer edges lightly worn, one corner bumped), Signed by Michals.
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King Size Big Guy and Rusty the Boy Robot
by Geof Darrow and Frank Miller
unnumbered pages. Signed by illustrator Geof Darrow in felt pen on front endpaper with a sketch of a dinosaur head.
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The King's Breakfast
by Milne, Alan Alexander
Karen Dawson, Pasadena, 1963. Fine. 1 7/8 x 1 1/2 inches, [25] pages, blue leather with red leather spine label, 4 raised bands, Printed by Karen Dawson. Welsh 5017.
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Desert Cantos
by Misrach, Richard
University of New Mexico Press, Albuquerque, 1987. First Edition 9 in. x 12 in., 106 pages, Wrappers, Essay by Reyner Banham
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Richard Misrach 1979
by Richard Misrach
Acetate dust jacket. Misrach's first work of desert photography.
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Richard Misrach 1979
by Misrach, Richard
Grapestake Gallery, San Francisco, 1979. 12 in. x 9.5 in., Wrappers, Unnumbered pages. Exhibition catalogue featuring full-page reproductions from of one of the photographer's most important bodies of work.
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Toyo Miyatake: Behind The Camera 1923-1979
by [Toyo Miyatake]
197 pages, text in Japanese. Fully illustrated catalogue of Miyatake's career in photography.
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Photomontage
by Barbara Morgan
Unnumbered pages, 10 x 8 ½ inches, wrappers, signed by the photographer in pen on half-title page. Two small creases at top right edge of front cover. A survey of Morgan's pioneering work in photomontage from the 1930s through the 1960s.
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Hunter of Light-Daido Moriyama, 1965-2003
by Moriyama, Daido
Shimane Art Museum, N.p., [2003]. 11 3/4 x 8 1/4 inches, 324 pages, wrappers, small closed tear at top of spine, Signed by the photographer in felt pen on title page.
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Shinjuku
by Moriyama, Daido
Nazraeli Press, Tucson, 2002. Fine. First Edition 9 3/4 x 7 inches, unnumbered pages, wrappers with cardboard slipcase, Edition of 500 copies signed by the photographer.
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Kagerou (Dayfly)
by Moriyama, Daido
Haga Books, Tokyo, [1972]. Near fine. First Edition 10 x 7 inches, unnumbered pages, wrappers with glasseine dust jacket house in printed cardboard slipcase also with glasseine cover, several small tears to glasseine on slipcase, Moriyama's fourth monograph consisting of portraits of women in bondage. The book mixes black and white and color images. A number of proof sheets from this series are also reproduced.
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Imitation
by Moriyama, Daido
Taka Ishii Gallery, Tokyo, [1995]. Near fine. First Edition, Limited edition: No. 74 of 500 copies 10 3/4 x 8 inches, unnumbered pages, boards with glasseine dust jacket, several small closed tears to dj at top edge.
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Japan, a Photo Theater II
by Moriyama, Daido
Asahi Sonorama Co., Ltd., Tokyo, [1978]. Near fine. First Edition 7 3/4 x 8 inches, unnumbered pages, cloth, Dust Jacket (slight fading to dj at spine), Signed by the photographer in felt pen on front endpaper.
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Memories
by Moriyama, Daido
Sokyu-sha, Kawasaki, [1999]. 8 3/4 x 9 1/2 inches, cloth with opaque tissue dust jacket, cardboard slipcase, Signed by the photographer in black ink and blue pencil on front endpaper, Unnumbered pages containing 40 leaves of full page reproductions from Moriyama photographs.
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Lettre a St. Lou.
by Moriyama, Daido
Kawade Shobo Shinsa, Tokyo, [1990]. Near fine. First Edition 11 x 8 1/2 inches, unnumbered pages, boards, slight wear to corners and top and bottom of spine, Dust Jacket (with belly-band).
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Daido Moriyama
by Moriyama, Daido
Michael Hoppen Gallery, London, [2004]. Limited edition: No. 87 of 100 copies containing an orginal photograph measuring 6 1/2 x 9 1/2 inches on Fujicolor paper measuring 8 x 10 inches. Signed by the photographer in felt pen at lower right edge below image 15 1/2 x 11 1/2 inches, unnumbered pages, unbound folded sheets with printed cover housed in silver toned zip lock bag, Large format exhibition catalogue containing 82 reproductions of photographs by Moriyama.
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Inu No Toki (The Time of the Dog): New York-Okinawa-Tokyo
by Moriyama, Daido
Sakushinsa, Tokyo, [1995]. Mint. 10 x 6 1/2 inches, [352] pages, cloth, Text in Japanese and Englsh. Single sheet folding page containing "A Conversation with Takuma Nakahira" with text in Japanese laid in.
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Color 2
by Moriyama, Daido
Sokyo-sha, Kanagawa, [1999]. Fine. 8 3/4 x 9 1/2 inches, unnumbered pages, cloth, Signed by the photographer in black, green and red felt pen on front endpaper and dated "99", With cardboard slipcase. The book features 58 full page reproductions from color photographs by Moriyama. Book promotion postcard laid as well as caption sheet for the photographs printed in English and Japanese.
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Japan, a Photo Theater II
by Daido Moriyama
"In his first exhibit, Japan a Photo Theater I, Moriyama recorded the lives and expressions of traveling actors, as the title implies. In this book, however, all photographs were taken in Tokyo. In these he takes objects existing in the world such posters, magazines, mannekins, etc., which other peoples see as mass media, and places them on his own stage as though they were his own objects. When we look at these photographs, in other words, the reflection of his... Read More
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