XXe Siecle 8. 1957.
Nouvelle Series XXe Siecle 8 (Double) Art et humour au XXe Siecle. Various. Illustrators Arp, Miro, Dubuffet. Cahiers d'Art, San Lazzaro, Paris, 1957. 1st Edition. Text in French. Illustrated by Arp (two original pochoirs in color), Miro' (one original pochoir and one original lithograph both in color) Dubuffet (Original print in color matt and shine ink). Pictorial cover by Kandinsky.
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La Vie et l’Œuvre de Pierre-Auguste Renoir. With one original etching by Renoir. 1919.
Paris: Ambroise Vollard, 1919. One of 525 copies on "beau papier teinte". Bounded in the original soft cover, it contains: one Original Etching of Renoir: 'Baigneuse assise', (Delteil 11) with the Renoir stamped signature, 50 heliogravures, and one lithograph in color after Renoir.
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Miro, Signed and Numbered Lithograph from La Melodie Acide. 1980.
Au Pont des Arts, Paris, 1980. Color lithograph from the La Melodie Acide portfolio, signed and numbered in pencil by Joan Miro. This is one of only 101 copies on Japan Nacre paper (N.30), a rare and luminous edition. Reference: Cramer 248.
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Revue Verve 14-15, 1946.
Editions de la Revue Verve, Paris, 1946 Text in France by Emil Male with tipped-in color plates from Les Heures D'Anne de Bretagne the illuminated manuscript of early XVIth century.
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Revue Verve 8, 1940.
The French Review of Art – Vol II No 8. Paris: Editions de la Revue Verve. 1940 Number 8 of Verve was completed just few day before the German occupation of Paris, on June 1940, during WWII. Bound in stiff boards, in the original wrappers illustrated by Matisse, with a double-page color lithograph by P. Bonnard; the fifteenth century Calendar of C. D'Angouleme, heliogravure color and in gold, next to the drawings of the annual calendar by André Derain. Reproductions... Read More
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Cahiers d’art, 2012. Kelly.
The Revue Cahiers d'Art was revived with its inaugural 2012 issue celebrating Ellsworth Kelly. This edition features an original lithograph by Kelly and showcases the works of the following artists: Sarah Morris, Cyprien Gaillard, and Adrian Villar Rojas. Texts by Yve-Alain Bois, Tadao Ando and Jean-Louis Cohen.
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Three issues of Revue Verve: 5/6-7-8. 1939-1940. Braque, Matisse, Leger and others
Three issues of the vintage French art magazine Verve (1939–1940), bound together in a decorative cloth-over-board volume, with the original covers preserved inside.Covers illustrated by Henri Matisse (Verve No. 8) and Aristide Maillol (Verve No. 5/6). The volume is richly filled with texts and lithographs by artists such as Braque, Rouault, Derain, Léger, and Matisse, along with reproductions by Derain, Picasso, Bonnard, and others.
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Cahiers d’art, 1929. Rousseau.
Editions Cahiers d'Art. Paris, 1927. No. 428 of 743 copies on Velin de Torpes of a total of 800 copies. Illustrated with 96 plates reproducing the works of Douanier Rousseau.
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Banner. Calendar for 1969. Prints by Dine, Indiana, Warhol, Lichtenstein...
Published by Multiples Inc, New York, printed by Domberger, Stuttgart around 1968. 6 color serigraphs on light cardboard with spiral binding, each preceding the calendar sheets. Serigraphs by: J. Dine (The Red Boots on a black Ground), R. Indiana (Flag), N. Krushenick (White Smoke, Red Sky), R. Lichtenstein (Pistol Corlett 237), A. Warhol (Campbell's Tomato Soup) and T. Wesselmann (The Great American Nude).
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Günther Uecker. Nagelbach. Portfolio of Five Signed Lithographs. 1970/71.
Nagelbach, Galerie Der Spiegel, Cologne, 1970/71. This portfolio includes five signed prints (four lithographs and one embossing) each signed and numbered in pencil along the lower edge. The portfolio also contains photographs of Ueker and writings about his work. It is presented in the original grey cloth clamshell box, signed in pencil on the bottom right, along with the booklet. Dimensions: 14 3/4 x 14 3/4 inches. in very good condition, missing the nail from the cover.
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Domberger silkscreen calendar, with 13 signed serigraphs, 1973.
Domberger silkscreen calendar, with 13 signed serigraphs, 1973. Domberger silkscreen calendar. "International Contemporary Art". 1973. Bonlanden, Edition Domberger 1972. With 13 original Serigraphs in colors, each signed and numbered, loose as... Read More
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Matta. Come detta dentro vo significando. With 22 etchings by Matta.
Éditions Meyer, Lausanne, 1962. Illustrated with 22 color etchings of varying sizes by Matta, fifteen of which are signed in crayon by the artist. One of only 80 copies (N. 53) printed on Rives vellum. Loose as issued, housed in the publisher's original canvas folder with a printed title label on the spine, and presented in the matching slipcase. Reference: Visat 58–83. Dimensions: 15.5 x 19 x 1.5 inches.
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Xxe Siecle 13. "20 ans avant". 1959.
Cahiers d'Art, San Lazzaro Paris, 1959. Pictorial wraps with cover by Torrès Garcia One original color lithograph by Soulages. A pochoir by Music. a 2-colors woodcut by Consagra. Seven woodcut and linoleum cut by : Matisse, Kandinsky, Magnelli, Arp, Ernst, Miro, Laurens.
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Pablo Picasso par Eugenio D’ors. With 4 pochoirs.
Editions des Chroniques du Jour, Paris 1930. One of 550 numbered copies of the French edition (total edition 1200 copies). Translated by De Francisco Amunategui. With four color pochoir by Picasso: Jeune homme et enfant 1906, Femme Assise 194, Les Musiciens 1921, Le Fils de l' Artiste 1925 and numerous illustrations in black and white, in full page. Text in French. Well preserved in the original orange cover and matching hard chemise with laces. The portfolio folder shows some wear,... Read More
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Charles d'Orléans - Matisse: Poems by Charles d'Orléans.
Matisse, Henri. Poemes de Charles d' ORLEANS. Paris, Tériade, 1950. One of the 1200 (N.591) copies on vellum specially manufactured by the Arches paper mills, signed by Matisse. Manuscript in facsimile entirely composed by Henri Matisse, who wrote and illuminated the poems of Charles d'Orleans, with several lithographs in text and out text. The lithographs were executed under Matisse's direction at the Mourlot Press. Printing was completed on February 25th, 1950.
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René Char. Le Marteau sans Maître. Illustrated by Joan Miró. 1976.
René Char; Joan Miró. Paris: Le Vent d'Arles, 1976.This portfolio comprises of poems by René Char 23 color etchings with aquatint by Miró—eight double-page (440 × 670 mm) and fifteen single-page plates (280 × 225 mm). Each plate was printed at Atelier Morsang, Saint-Michel-sur-Orge, and the typography was executed by Fequet et Baudier. From the limited edition of 215 copies on Arches wove paper, this edition is one of 125 copies numbered 1-125 (N. 12) and signed in pencil by... Read More
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Joan Miro: Anti-Platon, La Lumière de la Lame, & Saccades. 1962.
Maeght Editeur Paris, 1962. Three poems by Yves Bonnefoy; Andre du Bouchet, and Jacques Dupin illustrated by Miro'. Set of three volumes, each volume feature a poem illustrated with six color etchings with aquatint and two in black-and-white with aquatint, by Joan Miro, all printed on Rives wove paper. Each volume is signed by both the artist and the corresponding author in the justification. Volume 1: Yves Bonnefoy. Anti-Platon Volume 2 André du Bouchet. La Lumière de la Lame Volume... Read More
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Matisse. Cahiers d'Art 3-5 Dessins de Matisse. 1936.
Cahiers d'Art, Paris, 1932 7eme Annee. French artistic and literary journal. Picasso exhibitions at the Galeries Georges Petit, profusely illustrated with plates in black and white, with essays by Hugnet Apollinaire Salmon and others. This issue also includes Benin, Bronzes and ivories at the Museum of Ethnography in Belin
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La Brebis Galante. With 3 original etchings and numerous illustrations by Max Ernst. 1949.
The Gallant Sheep (La Brebis Galante). 1949, Les Editions Premiers. Paris, France. The book contains three original etchings in color and numerous illustrations, most of which are pochoirs, by Max Ernst. Copy numbered 70/316 with an inscription signed by the artist "To Simon Bilew to read while traveling and forget on a train. Sincerely. Max Ernst". The original cover has some tears on spine and original glassine is worn, cover detached at the spine but pages remain attached and intact.
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Revue Verve 31-32, 1955. Braque.
Braque. Verve Vol. VIII No. 31/32. Paris: Verve, 1955. With 20 color lithographs reproduced from Braque's sketchbooks, and many B/W heliogravures. Pictorial hard cover board designed by Braques. Very good condition. Hard cover shows some minor defects: two small tears at the top of the spine and one at the bottom. A slight bump is also visible at the upper right corner, which affects the first 10–15 pages with a light fold.
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Verve 17/18. Couleur de Bonnard.
Editions de la Revue Verve. Paris, 1947. Double issue devoted to Pierre Bonnard, containing two original lithographs by the artist—one on the cover and one as the frontispiece.
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Les plus beaux contes de KIPLING, 1926, with 23 color pochoirs and a dedication by kees Van Dongen.
Les plus beaux contes de KIPLING, 1926, with 23 color pochoirs and a dedication by kees Van Dongen. Rudyard Kipling. Illustrated by 23 color pochoirs by kees Van Dongen. With a dedication in pen by Van Dongen in frontispiece. Editions de la Sirene, Paris, 1926. One of the 250 copies in Velin de Rives a la forme, from a total edition of 300 copies. Complete book of three short stories by Rudyard Kipling, translated in French by Louis... Read More
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Bernard Buffet Lithographs 1952-1966. Deluxe edition with 2 signed lithographs.
Tudor Publishing Company, New York, 1968. Fernand Mourlot.Deluxe edition of the Bernard Buffet Catalogue Raisonné, including two loose color lithographs, each signed in marker by Bernard Buffet and numbered in Roman numerals in pencil.The volume also contains eleven color lithographs (including the cover), each signed in the stone.Issued in a limited edition of 125 copies on vélin d'Arches, of which this example is one of 25 copies numbered in Roman numerals, pencil-numbered and initialed by Fernand Mourlot on the colophon... Read More
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Paroles Peintes, Volume II (1965). 15 Original Prints by Modern Masters
Lacourière et Robbe, Paris. One of 150 numbered copies printed on Johannot paper (this copy No. 90). Includes 15 original prints—a combination of color etchings, drypoints, aquatints, and lithographs—by Vieira da Silva, Alberto Giacometti (Deux sculptures dans l'atelier), Serpan, Vesserau, Bryen, Wogensky, Pierre Alechinsky (Rectangles et nœuds), Deyrolle, Wifredo Lam, Hans Arp, Kumi Sugaï, Enrique Zañartu, Enrico Baj, Wessel, and Jean Fautrier.References: Lust 187; Kornfeld 425; Mason 281.1; Rivière 242; Arntz 419.
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Die Grossen Franzosischen Impressionisten, 1952.
Die Grossen Franzosischen Impressionisten Ihre Vorlaufer Und Ihre Nachfolge(The Great French Impressionists Their Forerunners and Their Succession) Anton Schroll & CO. Vienna,1952. Fritz Novotny. Text in German. Illustrated with 44 tipped in color plates in full page, from Manet, Pissarro, Monet, Degas, Renoir, Toulouse-Lautrec, Van Gogh, Gauguin, Picasso, Matisse, and others… and 11 small black & white pictures tipped in text. First edition hard cover in dust Jacket.
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