For those of you unfamiliar with Shirley Jackson’s work, consider yourself warned of potential SPOILERS right now and exit out of this page. Preferably to pick up one of her books and see for yourself.

I still remember the first Shirley Jackson piece I ever read. Like most American high-school teenagers, it was one of her short stories. A terrifying and eye-opening piece entitled The Lottery. To this day, I think it is one of the most horrifying works I’ve ever read (and this coming from an avid Agatha Christie fan). A work that reveals a callous and mindless side of human nature – just following the herd mentality, even if it involves killing your own mother – what wouldn’t be creepy about that? The Lottery has always stuck with me, and also have the other stories by Jackson that I have read since. We Have Always Lived in the Castle is a fan favorite for a reason! So here’s to the real question… what had this seemingly average American housewife done to become the architect of such frightening tales? Well… let’s take a look!

 

The Lottery, or, The Adventures of James Harris

The Lottery, Shirley Jackson

NY: Farrar, Straus and Company, 1949. First edition, first printing. Hardcover. Very good/Very good plus. First edition, first printing, with the stylized FS logo on the copyright page. 8vo. Gray cloth with red spine titles. Light sunning of the cloth; trace of soil; light offset staining in the gutter at the beginning and end from the binding adhesive; else a very good copy. In a later state dustwrapper, unclipped, with a price of $3.50 (instead of $2.75) and with the publisher listed as Farrar, Straus and Cudahy at 101 Fifth Avenue instead of 53 East 34th Street. The jacket is in near fine condition, with only a trace of soil and sunning. (Offered by Thorn Books)

 

Shirley Hardie Jackson was born on December 14th, 1916 in San Francisco, California. She discovered writing at an early age, and during her teenage years dealing with stressful weight fluctuations and feeling like an outcast, writing was her main joy. She originally attended Rochester University, but after feeling unhappy there (with professors who judged her writing quite harshly), she transferred to Syracuse University where she thrived and finally felt like she fit in with her peers. She was involved with the University’s literary magazine, where she met her future husband, literary critic Stanley Edgar Hyman. Around 1935 she and her new husband moved to the sleepy town of North Bennington, Vermont, where Hyman taught at Bennington College and Jackson continued working on her writing. Later on, in 1954, Jackson would say of these years in North Bennington: “our major exports were] books and children, both of which we produce in abundance. The children are Laurence, Joanne, Sarah, and Barry” (Twentieth Century Authors). 

 

The Haunting of Hill House

Haunting of Hill House, Shirley Jackson

NY:: Viking Press,. Very Good in Very Good dust jacket. 1959. Hardcover. A novel. Made into the 1963 film, "The Haunting" (remade in 1999). First edition. Very good in a very good (slightly faded along the spine, some light rubbing to front panel, light foxing to rear panel) dust jacket. (Offered by Grendel Books)

 

When The Lottery was first published in The New Yorker in June of 1948, Jackson was catapulted to fame - the likes of which she never expected. The initial response to the story was extremely negative. Jackson received 400 letters from readers over the course of the summer – and only 13 were kind (and mainly from personal friends). Many readers instantly cancelled their subscriptions to The New Yorker. While Jackson would tell others that the tone of the letters ranged from “bewilderment, speculation, and plain old-fashioned abuse.” Readers wanted to know if such rites existed, and if so – where they could go and watch someone being stoned to death. They “declared the story a piece of trash.” What could a story possibly do to make people so violently angry? Well… remind them of their own cruelty and confuse them with their own emotions, of course. While Jackson was somewhat shocked by the extremely negative reception of her story, she often refused to give the readers the one thing they wanted… an explanation of what it “really means”. One sentence she was able to send to the San Francisco Chronicle gave an explanation (that I’m sure went over really well with the readers) as such: “I suppose, I hoped… to shock the story’s readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.” Zing!

The negative response her story received did not stop her, however. Jackson continued to write stories and would come to be known as a Mistress of Terror. Her subtle plots infused with strange characters and sinister themes and plots held her audience captivated. She wrote over 100 short stories throughout the years, some children’s stories and several novels. Her novels The Bird’s Nest (1954) and The Haunting of Hill House (1959) are commonly regarded as fantastical and ghostly stories, and have inspired authors Stephen King and Neil Gaiman in their own works. In 1962 she published her novel We Have Always Lived in the Castle, a story following two sisters after the mysterious and unsolved mass murder of their entire family in their childhood home.

 

We Have Always Lived in the Castle [Inscribed Association Copy]

We Have Always Lived in the Castle

NY: Viking. (1962). A novel of the macabre. This book was one of Time magazine's 10 best books of the year for 1962. Inscribed by Jackson to her [husband's] aunt and uncle: "For Aunt Anna and Uncle Henry. With love. Shirley." Some tanning to the spine cloth; near fine in a near fine dust jacket. An interesting association copy of the last of her books published in her lifetime, and in which, among other events, an aunt and an uncle are poisoned. Along with The Lottery and The Haunting of Hill House, this book is in part responsible for there being a set of annual literary awards named after Shirley Jackson, "for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic." First Edition. Hardcover. Near Fine. (Offered by Ken Lopez, Bookseller)

 

 

So what made Shirley Jackson tick? What gave her these ideas? Her own husband has said of the matter that the darkness found in Jackson’s stories were not the side-effects of personal neurosis, but rather a result of the hard times she had seen of the world – “fitting symbols for [a] distressing world of the concentration camp and the [Cold War] bomb.” Jackson wrote of the psychological and physical destructiveness of human nature, and its consequences on others. Her stories obviously resonated with readers so upset by the simultaneous horror and unbelievably realistic nature (after all, many readers believed The Lottery was based on actual rituals experienced throughout the country) and forced all to take a deep look inside and wonder at the violence and evil that could be found in us all. One thing is for sure – were Jackson still alive today (she unfortunately passed away at only 48), I am sure she would find several ways to shock us all into submission.

 

Items of Interest...

 

The Daemon Lover and the Lottery as Read by Shirley Jackson (LP Record)

Folkways Records: Shirley Jackson

New York: Folkways Records and Service Corp, 1963. Near Fine. A very nice example of this 33 1/3 record of Shirley Jackson reading from her own stories "The Daemon Lover" and "The Lottery". Both the record and the pictorial sleeve are clean and very well-preserved. Part of Folkways' wonderful "Spoken Word" series. (Folkways Records FL 9728). (Offered by Appledore Books)

 

Hangsaman (Association Copy)

Hangsaman

New York: Farrar Straus and Young. (1951). First. First edition. Extremities of the boards a little worn, else fine in price-clipped, very good dustwrapper with some foxing on the rear panel. This copy Inscribed by the Shirley Jackson to Joseph Mitchell and his wife: "For Therese and Joe - Affectionately - Shirley. April 1951." A very nice copy of Jackson's third book, her second novel, and her first novel to deal with the darker regions of human nature and personality. At the time of the inscription, Mitchell and Jackson were both on the staff of The New Yorker: Mitchell as a reporter who helped define the future direction of the magazine and Jackson a frequent literary contributor. Her controversial story, "The Lottery" was first published in the magazine in 1948, where it caused a sensation, and received a response that "no New Yorker story had ever received." A splendid association. (Offered by Between the Covers Rare Books)

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