Minneapolis: University of Minnesota Press, 2001. Hardcover. NF contents but art school ex-lib. with spine sticker, end stamps, and back end paper marks. Covers VG- with light shelf wear.. Grey boards with maroon lettering. No dust jacket, as issued. xix + 198 pp. with occasional bw images. Outlines an exciting new approach to this confluence of art, media, and poetry. The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems-money, logos, corporate names, stamps-to create intimate situations among the participants. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and on-sendings.
(Inventory #: 156874)
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