Poliakoff - Gouaches
Paris: Dina Vierny Galerie, 1970, 1970. Very Good. Limited. This monograph is one of 2500 copies printed for the Poliakoff gouaches exhibition at the Dina Vierny Galery in 1970. Textes by Leymarie, Dina Vierny, Estienne and Poliakoff. With 6 color lithographs 3 of which in double page.. Hardcover. Very Good.
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Cahiers d’art, 1928. Fernand Leger.
Editions Cahiers d'Art. Paris, 1928. 14th edition of the collection Les Grands Peintres D'Aujourd'Hui, with 5 pochoirs in color by Fernand Leger, and many plates in black and white. Limited numbered edition of 800 numbered copies printed on Torpes vellum paper. Edition dedicated to Fernand Leger art works, complete with text in French by E. Teriade.
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Chagall lithographe IV.
Catalogue raisonné de Chagall (1969-1973). Andre Sauret, 1974. Illustrated with two original lithographs by Chagall, one on the frontispiece and one the dust jacket, printed by Mourlot. Reference text by Fernand Mourlot and Charles Sorlier. Text in French.
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La Danse du Chateau. With an etching by Giacometti and etchings by Louis Chavigner. 1962.
La Danse du Chateau. 1962. Les Impenitents, Paris. Text by Cervantes. Contains an Alberto Giacometti etching on the frontispiece and 14 etchings by Louis Chavigner. One of 150 copies on Rives of which is number 10. With cardboard chemise and slipcase. 7.5 x 11.25 in Ref: Lust 174
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Verve 21-22. 1948. With a lithograph by Matisse
Henri Matisse - Vol VI. Paris: Editions de la Revue Verve. With a color lithograph in frontispiece and drawing to introduce the reproductions of a series of drawings and paintings completed by Matisse in Vence, France, during 1944 and 1948. Wrappers Illustrated by Matisse, worn.
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Original signed and numbered lithograph by Alexander Calder. 1970.
"Untitled" from the portfolio El Circulo de Piedra 1970. One of 125 copies, signed and numbered in pencil by the artist. Unframed and in original folder. 22 2/5 × 17 7/10 in
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Verve 17/18. Couleur de Bonnard.
Editions de la Revue Verve. Paris, 1947. Double issue devoted to Pierre Bonnard, containing two original lithographs by the artist—one on the cover and one as the frontispiece.
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Paroles Peintes, Volume II (1965). 15 Original Prints by Modern Masters
Lacourière et Robbe, Paris. One of 150 numbered copies printed on Johannot paper (this copy No. 90). Includes 15 original prints—a combination of color etchings, drypoints, aquatints, and lithographs—by Vieira da Silva, Alberto Giacometti (Deux sculptures dans l'atelier), Serpan, Vesserau, Bryen, Wogensky, Pierre Alechinsky (Rectangles et nœuds), Deyrolle, Wifredo Lam, Hans Arp, Kumi Sugaï, Enrique Zañartu, Enrico Baj, Wessel, and Jean Fautrier.References: Lust 187; Kornfeld 425; Mason 281.1; Rivière 242; Arntz 419.
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Les plus beaux contes de KIPLING, 1926, with 23 color pochoirs and a dedication by kees Van Dongen.
Les plus beaux contes de KIPLING, 1926, with 23 color pochoirs and a dedication by kees Van Dongen. Rudyard Kipling. Illustrated by 23 color pochoirs by kees Van Dongen. With a dedication in pen by Van Dongen in frontispiece. Editions de la Sirene, Paris, 1926. One of the 250 copies in Velin de Rives a la forme, from a total edition of 300 copies. Complete book of three short stories by Rudyard Kipling, translated in French by Louis... Read More
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Verve 7. Les Très Riches Heures de Duc de Berry
Editions de la Revue Verve. Paris, 1940. Tipped-in heliogravures after the 15th-century Book of Hours commissioned by the Duke de Berry. One of the most celebrated illuminated manuscripts of the late Gothic era, it was painted between 1412 and 1416 by the Limbourg Brothers. Verve publisher Tériade, long inspired by the work, sought to recreate its richly detailed images of the canonical hours—prayers marking the divisions of the day—as faithfully as possible for the public to study and admire.The seventh... Read More
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Renoir, Pierre-Auguste. La vie artistique, 3rd vol.
Gustave Geffroy. Paris, H. Floury, 1897- Third volume of La vie artistique, illustrated with a dry point by Renoir (Le Chapeau Epingle) in frontispice.
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Revue Verve 31-32, 1955. Braque.
Braque. Verve Vol. VIII No. 31/32. Paris: Verve, 1955. With 20 color lithographs reproduced from Braque's sketchbooks, and many B/W heliogravures. Pictorial hard cover board designed by Braques. Very good condition. Hard cover shows some minor defects: two small tears at the top of the spine and one at the bottom. A slight bump is also visible at the upper right corner, which affects the first 10–15 pages with a light fold.
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Bernard Buffet Lithographs 1952-1966. Deluxe edition with 2 signed lithographs.
Tudor Publishing Company, New York, 1968. Fernand Mourlot.Deluxe edition of the Bernard Buffet Catalogue Raisonné, including two loose color lithographs, each signed in marker by Bernard Buffet and numbered in Roman numerals in pencil.The volume also contains eleven color lithographs (including the cover), each signed in the stone.Issued in a limited edition of 125 copies on vélin d'Arches, of which this example is one of 25 copies numbered in Roman numerals, pencil-numbered and initialed by Fernand Mourlot on the colophon... Read More
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The Braque catalogue raisonne Five volumes from 1924 to 1957
Paris: Maeght, 1959–1962. Catalogue de l'Œuvre de Georges Braque, Vol. 1 (1924–1927); Vol. 2 (1928–1935); Vol. 3 (1936–1941); Vol. 4 (1942–1947); Vol. 5 (1948–1957).A set of five volumes from the complete series of seven, quarto format. Each volume features a photographic frontispiece of Braque and is richly illustrated with numerous black-and-white and color plates throughout.Bound in the original decorated buckram ring binders.
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Die Grossen Franzosischen Impressionisten, 1952.
Die Grossen Franzosischen Impressionisten Ihre Vorlaufer Und Ihre Nachfolge(The Great French Impressionists Their Forerunners and Their Succession) Anton Schroll & CO. Vienna,1952. Fritz Novotny. Text in German. Illustrated with 44 tipped in color plates in full page, from Manet, Pissarro, Monet, Degas, Renoir, Toulouse-Lautrec, Van Gogh, Gauguin, Picasso, Matisse, and others… and 11 small black & white pictures tipped in text. First edition hard cover in dust Jacket.
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Leger CIRQUE 1950. Manuscript with 63 lithographs by Leger.
Teriade, Paris 1950. Fernand Leger. Portfolio with 63 lithographs in color and black and 22 manuscripted lithographic text with decorations. This portfolio is entirely conceived and realized by Leger in collaboration with the editor Teriade and his associate Marguerite Lange. It comprises 34 lithographs in color and 29 in black, the manuscripted text with 22 decorations are also lithographs, Limited in 300 copies, signed on justification page by Leger. Loose as issued, printed in Arches paper, in the original wrappers... Read More
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XXe Siecle 10. With prints by Picasso, Dubuffet, Poliakoff, Zao Wou-Ki, and others.
Cahiers d'Art, San Lazzaro, Paris, 1958 With 4 original color lithographs by Picasso (La petite corrida), Dubuffet, Poliakoff and Zao Wou-Ki, 1 print in ardesia by Ubac, 4 pochoirs in color by Miro, Max Ernst, Capogrossi and Vasarely and a zincography by Henri Michaux.
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Nouvelle Serie. Xxe Siecle 11 Les Nouveaux rapports de l'art et de la nature. 1958
Noel 1958. Cahiers d'Art, San Lazzaro, Paris, 1958. With 2 original lithographs by Braque and Max Ernst, 3 pochoirs by Braque, Bazaine and Arp, and one drawing in facsimile by Bazaine.
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Etching by Zao Wou-Ki. Plate 5 from Canto Pisan portfolio. 1972
This etching by Zao Wou-Ki is the fifth plate from the Canto Pisan portfolio, created in 1972 and published by Pierre Belfond in Paris. It was printed in colors using aquatint on Arches paper, with three copper plates, and is signed and inscribed H.C. in pencil by the artist. The work illustrates The Pisan Cantos, a poetic series written by Ezra Pound during his incarceration by Italian partisans after World War II. The edition includes 180 impressions on Arches paper,... Read More
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XXe Siecle 8. 1957.
Nouvelle Series XXe Siecle 8 (Double) Art et humour au XXe Siecle. Various. Illustrators Arp, Miro, Dubuffet. Cahiers d'Art, San Lazzaro, Paris, 1957. 1st Edition. Text in French. Illustrated by Arp (two original pochoirs in color), Miro' (one original pochoir and one original lithograph both in color) Dubuffet (Original print in color matt and shine ink). Pictorial cover by Kandinsky.
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Matta. Come detta dentro vo significando. With 22 etchings by Matta.
Éditions Meyer, Lausanne, 1962. Illustrated with 22 color etchings of varying sizes by Matta, fifteen of which are signed in crayon by the artist. One of only 80 copies (N. 53) printed on Rives vellum. Loose as issued, housed in the publisher's original canvas folder with a printed title label on the spine, and presented in the matching slipcase. Reference: Visat 58–83. Dimensions: 15.5 x 19 x 1.5 inches.
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Günther Uecker. Nagelbach. Portfolio of Five Signed Lithographs. 1970/71.
Nagelbach, Galerie Der Spiegel, Cologne, 1970/71. This portfolio includes five signed prints (four lithographs and one embossing) each signed and numbered in pencil along the lower edge. The portfolio also contains photographs of Ueker and writings about his work. It is presented in the original grey cloth clamshell box, signed in pencil on the bottom right, along with the booklet. Dimensions: 14 3/4 x 14 3/4 inches. in very good condition, missing the nail from the cover.
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René Char. Le Marteau sans Maître. Illustrated by Joan Miró. 1976.
René Char; Joan Miró. Paris: Le Vent d'Arles, 1976.This portfolio comprises of poems by René Char 23 color etchings with aquatint by Miró—eight double-page (440 × 670 mm) and fifteen single-page plates (280 × 225 mm). Each plate was printed at Atelier Morsang, Saint-Michel-sur-Orge, and the typography was executed by Fequet et Baudier. From the limited edition of 215 copies on Arches wove paper, this edition is one of 125 copies numbered 1-125 (N. 12) and signed in pencil by... Read More
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Miro, Signed and Numbered Lithograph from La Melodie Acide. 1980.
Au Pont des Arts, Paris, 1980. Color lithograph from the La Melodie Acide portfolio, signed and numbered in pencil by Joan Miro. This is one of only 101 copies on Japan Nacre paper (N.30), a rare and luminous edition. Reference: Cramer 248.
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Revue Verve 14-15, 1946.
Editions de la Revue Verve, Paris, 1946 Text in France by Emil Male with tipped-in color plates from Les Heures D'Anne de Bretagne the illuminated manuscript of early XVIth century.
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