ABAA member Greg Gibson, proprietor of Ten Pound Island Book Company, has just released his latest book, a noir crime novel entitled The Old Turk's Load . The story takes place in 1967 Manhattan and the lives of the colorful cast of characters is entwined by a $5 million herion shipment that goes awry. I have yet to read the book myself, but it has already garnered critical praise. From the New York Journal of Books: "...character descriptions that shine like pistols in sentences that burst like bullets&The Old Turk's Load is probably the fastest neo-noir read on the crime novel shelves. Exquistely hard boiled, this crime novel is the perfect beach read for those matured on Tantantino and Spillane." Greg has authored several other books Gone Boy, Demon of the Waters, and Hubert's Freaksand has a great blog about his involvement in the antiquarian book trade, The Bookman's Log. (Check out recent entries in his blog that relate to The Old Turk's Load.) Greg will be exhibiting at the New York Antiquarian Book Fair this weekend and will be signing copies of his new novel, with all profits going to the ABAA's Benevolent Fund. Stop by Booth D23 and get your copy! I know I will. [more Greg Gibson's New Novel, 'The Old Turk's Load']
Bookseller News
It was announced in March that Joel Silver was appointed as Director of one of the country's foremost rare book libraries, Indiana University's Lilly Library. The Lilly Library houses over 400,000 rare books, 150,000 pieces of sheet music, and 7.5 million manuscripts. Some of the highlights include the New Testament of the Gutenberg Bible; the first printed edition of Canterbury Tales; George Washington's letter accepting the presidency; and the personal papers of Orson Welles and Sylvia Plath. Silver has been with the Lilly Library since 1983, working in a number of different capacities: operations manager, curator of books, associate director to former Lilly director Breon Mitchell, and interim director for two independent appointments. He is also an adjunct associate professor and director of the special collections specialization in the IU School of Library and Information Science and an adjunct faculty member in the Department of English. Silver has also published a great number of articles, books, and exhibition catalogs; he lectures at and leads rare books seminars; and he has curated exhibitions at the Lilly Library. His most recent book, Dr. Rosenbach and Mr. Lilly: Book Collecting in a Golden Age, was published by Oak Knoll Press, which is owned and operated by ABAA member Robert D. Fleck. "I'm honored to have the opportunity to serve as the director of the Lilly Library, one of the greatest repositories of rare books and manuscripts in the world," Silver said. "Th... [more Joel Silver Appointed Director of Lilly Library]
Today, the Antiquarian Booksellers' Association of America joined with the Authors Guild, the American Association of Publishers, and other organizations, objecting to the Internet Corporation for Assigned Names and Numbers (ICANN's) plan to sell top-level domains to private companies. Online retail giant Amazon has bid to be the exclusive custodian of .book, .author and .read domains. ABAA President John Thomson called the move “anti-competitive” and a threat to the small businesses that make up the Association. “We count on there being a fair and level playing field for all,” Thomson said. “Amazon's actions are like the 800-pound gorilla, using their muscle to try to monopolize a marketplace." The ABAA is the largest and oldest association of antiquarian booksellers in the U.S., representing more than 450 member firms across the nation. The mission of the ABAA is to promote ethical standards and professionalism in the antiquarian book trade. As antiquarian booksellers, we strive to preserve, protect and bring the past to light. So let's look to our history and reflect on the wrongs corrected by The Sherman Antitrust Act of 1890, which was passed to prevent market domination by a single entity, ensure a level playing field and equal access to free markets. Please consider doing one or all of the following: Send your own letter to ICANN objecting to Amazon's application Although the comment period online officially closed in September, you can still submit comments ... [more Amazon's Bid to Control Top-Level Domain Names]
This June, King's College at the University of Cambridge will hold a two-day conference on book collectors and collecting. The conference will commemorate the centennial birthday of the eminent bibliographer, A.N.L. Munby. Munby pioneered the historical study of British book collecting and the use of sale catalogues to trace the history of taste in books. He is best known for his accounts of obsessive book collectors of the nineteenth century, notably, Sir Thomas Phillipps. He worked in the antiquarian book trade before becoming a Fellow and Librarian of King's College, Cambridge, from 1947 to 1974. Munby was also Lyell Reader in Bibliography at Oxford 1962-63, a Founding Trustee of the British Library, President of the Bibliographic Society, and co-founder of the Cambridge Bibliographic Society. The conference theme is Floreat Bibliomania: Great Collectors and Their Grand Designs and will "provide an opportunity to map current and future developments in the study of collectors and collecting." The event will include presentations by distinguished speakers, visits to private exhibits, and a festive dinner in historic surroundings. Floreat Bibliomania will be held June 28-29, 2013. For additional details and to register, please visit www.kingsmembers.org/munby2013. [more Book Collectors' Conference at Cambridge University]
You have until the end of April 2013 to submit a book to this prestigious bibliographic contest! A prize with prestige and tradition, a strong support for scholarship: The ILAB Breslauer Prize for Bibliography of $10,000 US is awarded every fourth year to the authors of the most outstanding works on the history of the book. Famous scholars like Jean Peeters-Fontainas, I. C. Koeman and Anthony Hobson belong to the prize winners alongside Lotte Hellinga and Jan Storm van Leeuwen who were honoured with the 15th Prize in September 2010. Both Lotte Hellinga's monumental "Catalogue of Books printed in the XVth Century now in the British Library, BMC. Part XI – England" and Jan Storm van Leeuwen's opus magnum on "Dutch Decorated Bookbinding in the Eighteenth Century" are shining examples for the enormous amount of knowledge - and work - which stands behind such brilliant studies in a scientific field that is essential for every kind of academic research, and for the rare book trade. The 16th ILAB Breslauer Prize for Bibliography will be awarded in 2014 to one or more books about books published in any language and in any part of the world between 2009 and 2012. Publishers, librarians, collectors, antiquarian booksellers and all book lovers are very welcome to submit books to the prize until the end of April 2013 by sending a single copy to the Prize Secretary: Arnoud Gerits (Distelvlinderweg 37 d, 1113 LA Diemen, Netherlands). Any aspect of bibliography (e.g. enumerative, textual,... [more ILAB Breslauer Prize for Bibliography]
Member Ken Karmiole Founds Endowment Fund to Support UCLA's Archival Studies Programs and Lectu
By Susan BenneABAA member Ken Karmiole (Kenneth Karmiole, Bookseller, Inc.) has generously given UCLA's Graduate School of Education & Information Studies (GSE&IS) a $100,000 endowment to support Archival Studies and Lectures. “This wonderful gift will greatly enrich our work by supporting a variety of high-profile programs such as symposia and visiting lecturers that will bring leading expertise from around the globe to UCLA,” said Anne Gilliland, Professor of Information Studies and Moving Image Archives and Director of the Center for Information as Evidence. “It will also highlight the ground-breaking contributions of our own faculty and students to the field of Archival Studies.” Ken said he wants to "see UCLA become a place for people interested in rare books and manuscripts and historical materials." "Archival material is going to become more and more significant," he continued. "University libraries want to differentiate themselves from one another by the unique material they have. Because UCLA already has a great facility in this area, they are one of the in the country." Ken is an alumnus of the GSE&IS's MLS program, and this is not the first endowment he's made to his alma mater. In 2002, he provided funds to establish a fellowship in his name that annually supports one student in the study of rare books and manuscripts. Ken then established the Kenneth Karmiole Endowment for Rare Books and Manuscripts in 2006, a gift that helps finance UCLA's acquisitions for special col... [more Member Ken Karmiole Founds Endowment Fund to Support UCLA's Archival Studies Programs and Lectu]
Earlier this year, a German citizen purchased a thin brochure inscribed with the name “Brücke” for €5 at a local flea market. It turns out this was quite a find; the brochure was a catalogue for a 1912 travelling exhibition of the Die Brücke collective. Die Brücke ("The Bridge") was a German artists' group formed in 1905 by four architectural students in DresdenErnest Ludwig Kirchner, Fritz Bleyl, Enrich Heckel, and Karl Schmidt-Rottluff. (Later members included Emil Nolde, Max Pechstein, and Otto Mueller.) The group aimed to discover new methods of artistic expression and to "free themselves from the traditional academic style of the time." Through doing so, they strived to create a bridge between the past and the present (hence the name of the group). The resulting artistic style is what we refer to today as Expressionism, which has the signifying trait of presenting the world "solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas." In addition to developing their own individual art, Die Brücke had two other major objectives: to establish contact with artists with similar sensibilities and to introduce their new art to the public through collective exhibitions. The brochure that was found was a catalogue for one of these showcases and it has an interesting backstory. Apparently it wasn't long after the exhibition went on tour that members of Die Brücke discovered that fellow artist Max Pechstein had a... [more Die Brücke Catalogue with Original Woodcuts Found at Flea Market]
The Seventh Annual NY Art Book Fair was held two weeks ago at MoMA PS 1, and I'm sorry that I missed it. Organized by Printed Matter, the fair had more than 200 local and international exhibitors and also included screenings, lectures, musical performances, and book signings. ABAA member Adam Davis of Division Leap (Portland, OR) was exhibiting at the fair for his fourth consecutive year. Division Leap, which just moved to a great new location last month, specializes in zines, artists' books, the Mimeograph Revolution, radical Americana, and a host of other printed miscellany. Adam spoke with Capital New York about technological advances and the future of the book, a topic that is on everyone's mind. He made the following thoughtful and astute observation: I think that the changes in technology—lifting the burden of having it be a purely informational transfer—will lead to people paying attention to what is really important about books and what it is you can't get from . The aura, the presence of it, the feeling that you're actually holding a work from an artist. That's really apparent with handmade books or books that the artist made themselves. You pick it up, you get a shock, you feel what's going on here in a way that you don't reading about on a website. I'm incredibly optimistic about the future of independent publishing. I'm a cheerleader in the face of gloom and doom. I couldn't agree more. I can only surmise, as many others have, that as we become increasingly ac... [more Member in the News: Adam Davis of Division Leap (Portland, OR)]
Two recently published titles focus not on the fatalistic claims that we are closing in on 'the end of the book', but rather examine what the future holds for books, in both the private and public sectors. In This Is Not the End of the Book, Umberto Eco and Jean-Claude Carriere have a lively intellectual discussion about books, "reading, the Internet, book collecting and odd byways of literary and cinematic history." Michael Dirda reviewed the book in the Washinton Post on Friday, and it sounds like a highly engaging and interesting read. David Culbert, President of the Fellowship of American Bibliophilic Societies (FABS), also just edited a book on a corresponding subject. The Future of the Books & the Public Interest, published by the William Clements Library at the University of Michigan in conjunction with FABS, is a collection of essays and includes a thoughtful introduction by Mr. Culbert. The "end of the book" is an understandable concern, as technology advances and the publishing industry and very modes of reading change, but still a ridiculous notion in the eyes of this bibliophilethe book isn't going to disappear as a relic of the past! These advances and changes in the literary landscape will affect how we read, though, and how we view the book as a physical object. In my opinion, the emphasis on the physicality of books will only increase because of these changesa plus for booksellers, especially those dealing in rare and antiquarian material! [more NOT the End: Two New Titles on the Future of Books]
The New York Public Library currently has an exhibit on display in its flagship building entitled Charles Dickens: The Key to Character. The exhibit "celebrates the power of Dickens's characters to be imagined ever anew, examining important precedents for his art of characterization as well as intersections between his personal and his literary creations." A few of the items on display are artwork by over twenty illustrators, the memoranda book Dickens used to jot down possible character names, and his 1867 pocket diary that contained the code Dickens used to communicate with his mistress. Flavorwire noted a very interesting part of this exhibit that the NYPL website did not mention: a replication of Dickens's 'fake library'. After moving into Tavistock House in 1851, Dickens apparently wanted to fill a space in his study with fake books, the witty titles of which he came up with himself, and "wrote to a bookbinder with a list of 'imitation book-backs' to be created specially for his bookshelf." For the current exhibit curators at the NYPL recreated some titles from Dickens's imitation library, which included titles such as Jonah's Account of the Whale, Kant's Ancient Humbugs, Captain Parry's Virtue of Cold Tar, The Art of Cutting the Teeth, and Drowsy's Recollections of Nothing. (Additional images and titles can be found at the link.) I swear, every time I read something about Dickens, I learn something new; what a fascinating man! Check Out Charles Dickens' Library of Fake ... [more Charles Dickens's Fake Library Replicated in NYPL Exhibit]